The Mattancherry Palace is a Portuguese palace popularly known as the Dutch Palace, in Mattancherry, Kochi, in the Indian state of Kerala features Kerala murals depicting Hindu temple art, portraits and exhibits of the Rajas of Kochi.
The Palace was built and gifted by the Portuguese as a present to the Raja of Cochin around 1555. The Dutch carried out some extensions and renovations in the palace in 1663, and thereafter it was popularly called Dutch Palace. The rajas also made more improvements to it. Today, it is a portrait gallery of the Cochin Rajas and notable for some of the best mythological murals in India, which are in the best traditions of Hindu temple art. The palace was built to appease the king after they plundered a temple nearby
The landing of Vasco da Gama, the Portuguese explorer at Kappad in 1498 was welcomed by the Kochi rulers. They were given exclusive right to construct factories. The Portuguese repulsed the repeated attacks of the Zamorins and the Cochin Rajas practically became vassals of the Portuguese. The influence of the Portuguese were supplanted by the Dutch and they took over Mattancherry in 1663. Subsequently, the area was taken over by Hyder Ali and still later by the British East India Company.
The glory of the palace rests on the large number of murals, executed in the best traditions of Hindu temple art, which are religious, decorative and stylised. The murals have been painted in rich warm colours in tempera technique.
The king's bedchamber or Palliyara, to the left of the entrance and occupying the southwest corner of the Palace, is noteworthy with its low wooden ceiling and 300 sq ft (28 m2) of wall surface covered with about 48 paintings. These illustrate the Ramayana, from the beginning of the sacrifice of Dasaratha to Sita's return from captivity in Lanka. The paintings in this section are the earliest in the palace, dating back to the 16th century. The last five scenes are from the 'Krishna Lila' where in a cheerful God Krishna using his six hands and two feet to engage in foreplay with eight happy milkmaids. The paintings are attributed to the artistic bent of mind of Veera Kerala Verma.
The upper staircase rooms, notably that of the coronation hall that was extended under Dutch patronage, contain some murals. The notable compositions in this section are - Lakshmi seated on the lotus, sleeping Vishnu (Ananthasayanamurti), Shiva and Parvati seated with Ardhanariswara and other goddesses, the coronation of Rama, and Krishna lifting Mount Govardhana.
On the opposite side of the coronation hall is the staircase room or Kovinithalam (Room No II), with a descent to the lower storey, there are four paintings of Shiva, Vishnu and Devi, and one incomplete. Room No. IV depict scenes from Kumarasambhava and other works of the great Sanskrit poet Kālidāsa.The latter set of paintings belong to the eighteenth century
